About

based in the Netherlands
Soprano, Curator

From Hong Kong, soprano Kris Ng is a prize-winner of the International Lied Festival Zeist Award (International Student LiedDuo competition) and the Chamber Opera Rheinsberg. As a prize-winner, she debuted the role of Donna Eugenia in G.Paisiello's  La Molinara with orchestra Akademie für Alte Musik Berlin. 

Her operatic appearances include Amy March in M. Adamo's  Little Women (Dutch premiere) with Karel Deseure, Adele in J. Strauß's  Die Fledermaus, Cendrillon in P. Viardot's Cendrillon and Cleopatra in C.H.Graun's  Cleopatra e Cesare at the Dutch National Opera Acdemy. She also sang as Seraphischen Stimme in E.W. Korngold's  Das Wunder der Heliane and jumped in as Zweiter Knabe in W. A. Mozart’s Die Zauberflöte (Nederlandse Reisopera). 

As an active concert soloist, she sang in J.S. Bach's Weihnachtsoratorium (1,3)BWV 140 (Bach op Zaterdag), D. Forest’s Requiem for the living, C. Franck’s Mass in A major, S. Islandsmoen’s Requiem, F. Mendelsson’s Hör mein Bitten, F. Poulenc's Gloria and R. Strauss's  Vier letzte Lieder. She also appeared at the Entrée series at Concertgebouw, at the Zuiderstrandtheater with Residentie Orkest with Felix Bender, Radio West concert series at the Nieuwe kerk Den Haag. 

She obtained her Master of Music in Opera performance  (cum laude) at the Dutch National Opera Academy. She received her Bachelor of Music at the Conservatorium van Amsterdam and her Bachelor of Arts in Music (First Class Honours) at the Chinese University of Hong Kong.

She collaborates with pianist Aarón Ormaza and gives various concerts in the Netherlands, including presenting the program "What remains" at International Lied Festival Zeist 2025's Young Artist Platform and a lied recital at Lamburten Concerten series this June. Together they have also participated in LiedDuo masterclass organized by International Lied Festival Zeist 2024

see repertoire

The bravura aria which followed earned the Hong Kong soprano the evening's greatest ovation in the Kees van Baaren Hall in The Hague. 

De Volkskrant

Soprano Kris Ng had travelled to Zeist with Pianist Aaron Ormaza Vera. During the masterclasses she profiled herself like a sponge...all the suggestions that are thrown at her, she immediately absorbs, from extreme interpretations of Haydn's Pastoral Song to alternative interpretations of  Ich habe in Penna . She had even brought a Dutch-language song by Henriëtte Bosmans. She therefore has all the necessary technical baggage to convert all that. Her Schubert interpretations of Mignon immediately moved with a beautiful diction, refined emotions and a pleasant Soprano. Also a singer to follow. 

Il Grand' Inquisitor